![]() ![]() ![]() Nagaya explained that Mizusaki’s climactic shot is actually a collaboration between various animators, a non-standard chimera cut. Now that’s touching in and of itself, but the moment hits harder because Eizouken has always made an effort to animate each main character with a distinct style that fits their personality those distinctly Mizusaki-like gestures that her parents notice are the same ones that Science Saru’s animation team has been emphasizing, as keeping her demeanor consistent and realistic has stayed a high priority. Mizusaki’s parents, endeared by their daughter’s animation after recognizing much of her personal body language in the short film, acknowledge her acting skills in the field she truly cares about. ![]() Moments like the neat chiaroscuro sequence depicting Kanamori’s shady deals embody the stylistic diversity that we’ve been enjoying all along, while the show’s understated focus on its setting and the environment itself – a big factor even in the final short film they create – leads to a long chase scene that is equals parts hilarious and spatially aware.Īnd of course, this applies to the most cathartic scenes as well. Episode #08, storyboarded and directed by Seishiro Nagaya, is an excellent example of that. The last stretch of episodes, going from the delivery of their mecha short film to their final work, is exhilarating in that distinctly Eizouken way, but somehow manages to escalate the madness. Keep Your Hands Off Eizouken ended true to itself, which is the greatest praise you can give to a title as idealistic as this one. This is our final look at the most inspiring series about creating animation! Right now there’s only five chapters of the manga ( unofficially) translated into English, but I still needed a few hours to read them because there’s so much going on, be it Midori’s imagination crafting a spaceship out of nowhere or Sayaka’s determination to keep the other two grounded, there’s an enjoyable push and pull between the girls’ dreams and the harsh reality of making anime.Keep Your Hands Off Eizouken came to an end without compromising the ideals of its production, even as deadlines got tight by the end. Every page is packed with little touches. He isn’t concerned with drawing beautiful, delicate girls, rather, he’s emphasizing their frantic energy, burgeoning talent and playful sense of humour. ![]() Sumito Ōwara’s art has a lively and loose feel (one may even say, easy breezy!). Ōwara isn’t just helping to oversee the anime adaption of his manga either, he’s credited with the ending’s key animation! This whole project must’ve been like a dream come true for him, not least of all because, if his writing is anything to go by, Ōwara loves anime and has always wanted to be an animator. To put this into perspective, Ōwara would’ve been just 17 years old when ( Keep Your Hands Off Eizouken! anime director) Masaaki Yuasa was directing The Tatami Galaxy, and yet, just 10 years later, he’s now working with Yuasa. Keep Your Hands Off Eizouken! mangaka is Sumito Ōwara, who, at the time of writing, seems quite young for a mangaka at just 26 years old. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |